How To Be A Good Dep

While I do play in two bands as a permanent member, quite a few of the dates on my gig list are “deps”, where I deputise, or stand in for, an absent band member. This is usually the guitarist, although I also dep on bass.

Dep gigs can be very rewarding, not just financially, but they can also be musically satisfying. They can take you out of your comfort zone, into genres that you've never played before, but more often than not, you get asked to do a show because you have built up a reputation in a specific field.

First, you need to establish yourself, and build a relationship with a network of musicians. To do this, you need to get out there and meet them. How often do we musicians bemoan the decline of live music, while sitting at home watching the TV on a Saturday night? Go out and see other musicians play. You may make useful contacts, and you may learn something.

Don't forget pub jam sessions. They’re not just for beginners, sometimes you meet the more experienced players there, and there’s nothing better than sitting in with great musicians. Don't turn up your nose at playing with the beginners either. Today’s beginner may be tomorrow’s band leader.

Social networking is an important source of dep gigs. For example, there are several Facebook groups you can join. The musicians’ online grapevine is a vibrant communication channel. Some of my best dep gigs, and even band memberships have come from idly watching my Facebook timeline.

Don’t forget to switch on your notifications so that you get the news about a possible gig straight away. If you decide to reply, don't delay sending it as there are plenty of other musicians out there who may get the gig while you're still thinking about it.

Once you've accepted a booking, do your preparation, especially if it’s your first time playing with this band. Ask for a set list, with keys. If there are any originals, ask for a copy of the recordings. An online download service like Dropbox.com is very useful, as too many mp3s can clog up your email inbox, and prevent people from sending you emails.  If you're a lead guitarist, learn any intro licks, and find out if you're expected to reproduce solos from the record, or improvise your own.

Don’t forget to ask the bandleader about the dress code for the gig. Don’t leave this until the day of the gig – you may have to buy a specific item of clothing, and shops don't seem to carry a lot of stock these days.

When loading up for the journey to the gig, pick instruments and amplification that are appropriate to the band and the genre. For example, an authentic Chicago Blues band wouldn't appreciate you turning up with a Marshall stack and a huge pedalboard. In fact, keep the equipment to the minimum, so that you won’t take ages setting up.

Make sure that you know what time you're expected to arrive at the venue. If you're the first to arrive, wait until the band leader arrives, so that you can ask which side of the stage to set up on. Don't hog the stage or monopolise the electrical sockets. Do help carry in the band’s PA, lighting rig, backline etc. The sooner the band can get set up, the more time will be left over to soundcheck and perhaps run through some of the trickier numbers.

While playing the gig, watch the rest of the band for rhythmic pushes, stops and endings. Often it’s the bandleader giving a signal, but sometimes it’s all about watching the drummer.

If the promoter speaks to you, remember that you represent the band that you’re depping for. Don't use it as an opportunity to get gigs for your own band, at least not straight away.

Play to the best of your ability, but resist the temptation to turn the show into a personal ego trip. No-one likes a show-off! Be a team player, and keep your performance appropriate to the band, the genre, the audience and the occasion.

Finally, help the band break down the gear and pack up. Thank them for the gig, leave on friendly terms, and they'll use you again and they may even recommend you to friends.

Happy depping!